How a Hollywood Kid Turned Tribute into an Authentic Pink Floyd Homage

When Corey Feldman decided to roll out a full‑blown concept record that sounded like a lost Pink Floyd masterpiece, he didn’t just lean on his acting fame. He marched into the studio with a clear mission: make a record that felt genuinely rooted in the Floyd sound while keeping his name out of the spotlight.

The project, titled Technology Analogy, emerged from Feldman's band, Corey Feldman's Truth Movement. He described the music as "very poignant, very powerful" and insisted that every chord progression, synth sweep, and lyrical theme was crafted to echo the vibe of Floyd’s classic albums. To cement that authenticity, Feldman reached out personally to both David Gilmour and Roger Waters, handing each a copy of the finished CD and waiting for their reaction.

"I wanted to make sure they weren’t offended or mad at it," Feldman explained in a recent interview. "Getting their blessings meant I could present the record as a respectful tribute rather than a cash‑grab." Both guitar legend and bassist‑singer gave the nod, a gesture that Feldman says helped the music community start taking him seriously as a musician.

The visual side of the album was handled by Storm Thorgerson, the iconic designer behind many of Pink Floyd's most recognizable covers. Thorgerson’s artwork for Technology Analogy turned out to be his final concept before he passed away, adding a bittersweet layer of authenticity that fans immediately recognized.

Musicians, Themes, and the Ripple Effect of Approval

The roster of contributors reads like a who's‑who of seasoned rock veterans. Jon Carin, a longtime Pink Floyd collaborator, added keyboards and atmospheric textures. Saxophonist and guitarist Scott Page, known for his work with Jefferson Starship and Tina Turner, lent his signature riffs. Local LA talents – Rob Heskin on guitars, Chuck Irwin on drums, Randy Morris on bass, and Mark Karan of Rat Dog – rounded out the rhythm section, ensuring the sound was both lush and grounded.

Lyrically, the album tackles modern anxieties. Tracks such as "Green Is The Colour" riff on the original Floyd tune but pivot to a stark environmental message, earning it a place on several climate‑action playlists. "Trust No One" channels Waters’ penchant for dystopian storytelling, both in its vocal delivery and its brooding arrangement, prompting comparisons to the "The Wall" era.

Feldman's strategy to sidestep Hollywood hype paid off. By distributing the record through independent channels and letting the music speak for itself, he gradually shifted public perception. Listeners who once dismissed his musical ambitions began to acknowledge the depth of his work, noting that the Floyd legends’ endorsement served as a powerful stamp of legitimacy.

Since the release, green activist groups have reported using "Green Is The Colour" as an unofficial anthem at rallies, while online forums dedicated to progressive rock have sparked debates about the album's place in the broader Floyd legacy. Even critics who were skeptical of Feldman's shift from acting have softened, highlighting the meticulous production and genuine reverence embedded in every track.

In short, Feldman's quest for authenticity—securing blessings from Gilmour and Waters, collaborating with Thorgerson, and assembling a roster of seasoned musicians—has turned a fan‑made homage into a credible entry in the world of concept albums. The story underscores how respectful tribute, combined with real artistic effort, can bridge the gap between celebrity curiosity and serious musical respect.